I was reading some posts on an internet guitar forum the other day and somebody posed this seemingly simple question: “I have a question for all of the experienced guitarists on this site. What
Transcribing is one of the best ways to improve your jazz playing, but so many guitar students seem to think that it’s beyond their ability. In my experience, this is simply not true. As long
The Challenge Most guitarists seem to have an inordinate amount of trouble when it comes to sight-reading standard notation. Considering that many guitarists are self-taught, this is totally understa
When jazz musicians talk about “Rhythm Changes” they’re referring to songs that use the basic chord changes and structure of George Gershwin’s tune “I’ve Got Rhythm
I’m often asked “how long” it takes to learn to play jazz. The reality is, you can start playing jazz today if you want to, but to “learn” it will take your whole life.
Someone asked me this question awhile ago and since it’s something that we’ve all probably thought about, I’d like to share my response with you. I really believe that we ALL have ou
While many guitarists often tend to get stuck on using the first Pentatonic they learned (usually the Minor 11th variant which from the note C would be spelled C Eb F G B, there are actually many diff
This topic seems to come up a lot, so I thought it would be worth a good post. This is more-or-less the procedure I’ve settled into. I feel that it helps immensely with the lea
This article assumes that you already know what modes are, so today I’d like to discuss two important concepts for learning and studying modes; Derivative Modes and Parallel Modes. Derivat
A couple years back, I spoke with Emon for his blog Guitarkadia. I gave what I felt was a rather long (and possibly rambling) interview, but he did a fantastic job of editing and distilling it d
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