I just watched this video this morning and wanted to share it with you. I’ve been a fan of Pat Martino’s music for many years and more recently have several times had the amazing goo
Greetings Faithful Readers! Every once in a while, I stumble upon some great tools on the web, so it would be selfish of me not to share them with you here. Today we’ll take a look at some grea
This question came up on the rec.music.makers.guitar.jazz newsgroup and I realized as I was answering it, that it would be a valuable post for many guitar students. Here’s how I’ve taugh
Here’s a nice intervallic lick that I think you’ll enjoy. I transcribed it from an album by Joe Dioro called “Bonita.” It’s from the song “Talla Sunshine –
I receive a lot of questions from students about how to make their solos sound more like “jazz” and usually it emerges that they either haven’t listened to enough music, or aren̵
Here’s a lick I learned from my friend, pianist Burt Eckoff. I heard him play phrases like this often when we worked together in the 1990s. I’m pretty sure that he picked it up from liste
Here’s a great lick that I heard Dizzy Gillespie play over “A Night in Tunisia” years ago. It’s based on a whole-tone scale in descending thirds with chromatics filling in bet
In last week’s post, we looked at a lick that was based on Pentatonic Patterns ascending in Whole-Steps. This time we’re in 3/4 time and the Pentatonics are descending in Major 3rds. Down
Recently I saw some interesting videos of a technique employed by Kurt Rosenwinkle and others using pentatonic scales ascending in whole-steps. The pattern builds and releases tension as it moves thr
Here’s a line on Cmaj7 that moves up the neck quite nicely. You’ll notice that I’m intentionally avoiding the 4th finger, opting instead for a 1st finger stretch. Doing this actually
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