How To Create a Jazz Guitar Chord Solo Intro Jazz guitar students often ask me how to create a chord melody solo and I guess when you’re first starting out, it can be kind of a mystery. Some pe
Scale Studies for Jazz Guitar (Part 1) 44 Daily Warm-Ups to Build Killer Chops Most all musicians agree that scale practice is essential to building good technique on your instrument, but the trouble
Guitar students often ask about the difference between “sweep” picking and “economy” picking and it seems these terms can cause a little confusion. Sweep picking is actually j
When I was young (and still somewhat green) I had the very good fortune to have master jazz pianist Hal Galper play with me on my first album. I soon realized that I still had a lot to learn and a fe
Chord Construction Workshop Some years ago I wrote a series of articles entitled Chord Construction Workshop for Just Jazz Guitar Magazine. The concepts were really nothing new, but consisted mainly
The rhythm section of Cedar Walton (piano), David Williams (bass) and Billy Higgins (drums) lay down a deep groove on this F minor vamp while Jackie McLean plays an amazing alto solo that’s 1 mi
Recently a few people have asked about the difference between “derivative” (or “relative”) and “parallel” modes, so here’s a little video I put together to ex
“Where do I play that note on the guitar?” This seemingly simple question is a good one, and it comes up a lot! Unfortunately, the answer is not as simple. Maybe you’re a beginner, o
The Trouble with Chord Symbols There often seems to be confusion and disagreement about chord symbols (not just among students, but professional musicians as well!) This is something I’ve though
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