In last week’s post, we looked at a lick that was based on Pentatonic Patterns ascending in Whole-Steps. This time we’re in 3/4 time and the Pentatonics are descending in Major 3rds. Down
Recently I saw some interesting videos of a technique employed by Kurt Rosenwinkle and others using pentatonic scales ascending in whole-steps. The pattern builds and releases tension as it moves thr
Here’s a line on Cmaj7 that moves up the neck quite nicely. You’ll notice that I’m intentionally avoiding the 4th finger, opting instead for a 1st finger stretch. Doing this actually
Transcribing licks and phrases is great for building technique and a good jazz vocabulary. The following phrase is one I’ve heard Jonathan Kreisberg use regularly. Practice it in all keys by tra
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